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Today these adventures might seem tecnically rough in comparison with all these vectorial 3d shooters that require endlessly more memory and more processing power. Way before videogames got into the present 3D trend, spawning tiresome clones of the likes of 'Doom', 'Tekken' and 'Tomb Raider', companies like Lucasarts and Sierra made games with subtlety, malice and humour, best suited for intelligent, mature players instead of competitive children with aching fingers.

Indeed, the experience of playing MI (and all subsequent Lucasarts adventure games) is very much like watching a movie, except that you direct the action of the protagonist(s), changing events and outcomes in the plot. Satyre, irony or just plain good nonsense, in the tradition of Monthy Python. And, perhaps its most remarakable feature, the humour. In MI, as well as in the adventure genre it helped create, interaction with computer-controlled characters went beyond physical confrontation, including dialogue, negotiation (even bargaining prices!), seduction and intrigue. Then came MI and introduced complex plots, not unlike movie´s (so much, in fact, that you are reading this on IMDb), complete with meaningful dialogues which affect the plot´s direction (instead of mere interludes between action scenes). At its time, games were simple jump-hit-and-walk side-scrollers and flight or sports simulators, no more than an afternoon worth of fun for kids. It pretty much begins the adventure genre (actually Maniac Mansion came before, but it is very limited and primitive when compared to the subtleties of MI). The first Monkey Island game is a landmark in computer game history.

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